By Kent Cartwright
A spouse to Tudor Literature offers a suite of thirty-one newly commissioned essays concentrating on English literature and tradition from the reign of Henry VII in 1485 to the demise of Elizabeth I in 1603.
- Presents scholars with a important ancient and cultural context to the period
- Discusses key texts and consultant topics, and explores matters together with foreign impacts, non secular switch, shuttle and New international discoveries, women’s writing, technological options, medievalism, print tradition, and advancements in song and in modes of seeing and reading
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A spouse to Tudor Literature offers a set of thirty-one newly commissioned essays targeting English literature and tradition from the reign of Henry VII in 1485 to the dying of Elizabeth I in 1603. provides scholars with a necessary old and cultural context to the periodDiscusses key texts and consultant matters, and explores concerns together with foreign affects, spiritual switch, trip and New global discoveries, women’s writing, technological strategies, medievalism, print tradition, and advancements in track and in modes of seeing and examining
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Additional info for A Companion to Tudor Literature
Not only is religion a central issue of the historical chapters (Marshall, Edwards, Dimmock), its pressures, motives, and effects can be felt in many others. Winning the New World to Protestantism (and away from Catholicism) constituted a colonial motive (Warren). At home, Tudor music, of course, was greatly influenced by religious change (Duffin). Religious upheaval on the continent brought not only musicians but also experts to England who helped to transform its technology, and religious anxiety also formed a backdrop to the wonders of science (Cohen).
Late classical political satire offered a model for More’s Utopia (Prescott), and Roman history and literature provided powerful metaphors and models for Wyatt, Surrey, and other courtier poets in expressing their political antagonisms or ambivalences toward Henry VIII (Carlson). Poetically, Tudor writers experimented unsuccessfully with classically inspired quantitative verse (Dolven), and the Renaissance foundational notion of thoughts as pictures had antecedents in Greek and Roman theory (Alexander).
Indeed, from the descriptions in the preceding section, some of the chapters’ affinities may have already begun to emerge. In the following paragraphs, the chapters (indicated parenthetically by the last names of the authors) are arranged according to certain topics; these groupings are meant to be more suggestive than exhaustive. ” Religion Almost every chapter in this volume touches upon the religious changes and conflicts of the Tudor age. Not only is religion a central issue of the historical chapters (Marshall, Edwards, Dimmock), its pressures, motives, and effects can be felt in many others.
A Companion to Tudor Literature by Kent Cartwright