By Philip H. Highfill, Kalman A. Burnim, Edward A. Langhans
These featured in quantity 10 contain Margaret Martyr, a singer, actress, and dancer whose “conjugal virtues have been usually impeached,” in response to the July 1792 Thespian journal. The Dictionary describes this least consistent of enthusiasts as “of middling top, with a determine well-proportioned for breeches elements. [Her] black-haired, black-eyed attractiveness and transparent soprano made her an immediate well known good fortune in merry maids and tuneful minxes, the piquant and the pert, for 1 / 4 century.”
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Additional info for A biographical dictionary of actors, actresses, musicians, dancers, managers and other stage personnel in London, 1660-1800, Volume 10
But Foote was dissatisfied. He wrote to Delaval that the play was "damnably acted" and "Macklin miserably imperfect in the words and in the character (O stain to Comedy). " All occasions seemed to inform against Macklin. It was time for him to try something new. In the eighteenth century the relationship between the various applications of oratoryparliamentary eloquence, pulpit persuasion, school declamationand acting was obvious and acknowledged. " Fledgling performers attended "spouting clubs" and mature ones frequented debating societies.
The double "th" and the two sibilants, especially the second after the "t," which Macklin lisps as lickerishly as if he were savoring the ducats and all that they would buy, make so deep an impression in the man's favour that nothing can destroy it. Three such words uttered thus at the outset give the keynote of the whole character. Francis Gentleman the actor-critic, who, after seeing the part performed, became Macklin's nearly constant advocate, summed up his admiration in The Dramatic Censor (1770): there is no doubt but Mr.
They remained there from 8 June through 2 September. Macklin returned to Drury Lane for the season 174142, in which he again emphasized comedy and farce, adding to his list the Old Woman in Rule a Wife and Have a Wife, Sir Paul in The Double Dealer, Rigdumfunnidos in Chrononhotonthologos, Dollalolla in Tom Thumb, the original Zorobabel in Fielding's new farce Miss Lucy in Town, Dromio of Syracuse in The Comedy of Errors, and one of his most memorable Shakespearean roles, Touchstone in As You Like It.
A biographical dictionary of actors, actresses, musicians, dancers, managers and other stage personnel in London, 1660-1800, Volume 10 by Philip H. Highfill, Kalman A. Burnim, Edward A. Langhans